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Robert Campin: Birth of Christ

Robert Campin ca. 1380 – 1444

Birth of Christ

oil on panel (86 × 72 cm) — ca. 1425-30 Museum Musée des Beaux-Arts, Dijon Twitter Share on Twitter

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This work is linked to Luke 2:7

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Like many other depictions of the Birth, the tableau is based on a vision of the Swedish saint Birgitta (Bridget, 1302-1373). She claimed Mary described to her how she kneeled in prayer, the shining child before her. Joseph was said to be holding a candle, and angels were singing.

The two women on the right are midwifes. According to an apocryphal book, Joseph had summoned them to assist his wife. One of them suffered from a paralyzed hand, but the angel in white calls her to touch the child so that she will be healed: "Tangue puerum et sanabaris".

Campin also displayed a group of shepherds, which makes this painting an Adoration of the shepherds as well.

This panel is often praised for its magnificent landscape. Campin used techniques that many others would copy: a road winding away, and the background in lighter colors that make the horizon fade into the sky. On the left, the sun rises behind the mountains, signaling renewal.

Related art

  • Hugo van der Goes: The Adoration of the Shepherds
  • Van Limburg brothers: Announcement to the Shepherds
  • Rembrandt Harmensz. van Rijn: The Adoration of the Shepherds (1646 [1])
  • Rembrandt Harmensz. van Rijn: The Adoration of the Shepherds (1646 [2])
  • Caravaggio: The Adoration of the Shepherds
  • Andrea Mantegna: Adoration of the Shepherds
  • Martin Schongauer: The Nativity
  • Jan Havicksz. Steen: Adoration of the shepherds
  • Gerard (Gerrit) van Honthorst: Adoration of the Shepherds (1622)
  • Botticelli (Sandro Filipepi): The Birth of Christ
  • Georges Dumesnil de La Tour: Joseph's Dream
  • El Greco: The Immaculate Conception
  • Hans Memling: The Nativity
  • Anonymous: The Birth of Christ